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440 Gallery Artist :: Gail Flanery
Gail grew up as an army brat living on bases in places all over the world. Gail graduated from Cooper Union and lived downtown and made art in the 1970’s. She found representation in NYC and gained initial success selling large pastel drawings. At one point she was introduced to printmaking and began a decades long exploration of the print process. She worked for many years for the Studio In A School Foundation teaching art in public schools in New York City.

Visit her web site at gailcflanery.com.


See Kay Sera presents: A Talk with artist Gail Flanery.

WORK


SELECTED EXHIBITIONS
Kentler Int. Drawing Space, 100 Works on Paper Benefit, New York, NY, 2011
Purumé Gallery, Group Show: Landscape Re-Imagined, New York, NY, 2011
440 Gallery, Solo Show: Horizon, Brooklyn, NY, 2010
505 Court Street Gallery, Solo show: Recent Landscapes, Brooklyn, NY, 2010
Group show, The Candy Factory – Brooklyn, NY 2010
505 Court Street Gallery, Solo show, “Recent Landscapes” – Brooklyn, NY 2010
The Coben Loft, “Salon” – NYC, N.Y. 2009
Recent Work, Gail Flanery – Spoke the Hub – N.Y. 2007
Recent Work, Vicki Behm/Gail Flanery – Space 46 – NYC, N.Y. 2006
Harnett Biennial of American Prints – University of Richmond Museums, Richmond, Virginia 2006
Fulton Bid Bash – group show- Bklyn, N.Y. 2005
Amy Simon Fine Art, Con. 2005
Spoke The Hub Gallery, “Works on the Wall”, New York 2004
Kentler International Drawing Space, “Benefit”, Brooklyn, New York. 2003
Kentler International Drawing Space, “Small Works Benefit”, Brooklyn, New York. 2002
Bronx River Art Center And Gallery, “911 Show: Artists Respond,” Bronx, New York. 2002
Kentler International Drawing Space, “911 Show: Artists Respond,” Brooklyn, New York. 2002
The Gallery at R & F, “Landscapes,” Kingston, New York. 2001
The New Century Artist Gallery, “SIAS Artist/Instructors”, New York. 2001
Spoke The Hub Gallery, “Works on the Wall,” New York. 2000
The Brooklyn Brewery Gallery, “Commitments,” New York. 1997
Spoke The Hub, New York. 1997
L’Acajou Atelier, New York. 1996
Jane Voorhees Zimmerli Art Museum, “Printmaking in America, Collaborative Prints and Presses, 1960-1990,” Rutgers University 1995
L’Acajou Atelier, New York. 1992
Jane Voorhees Zimmerli Art Museum, “Relief Printing in the 1980’s,” Rutgers University. 1990
Rutgers Archive for Printmaking, Studio Grant. 1989
New Jersey Print Council, Library Gallery, Somerville, New Jersey. 1988
Meredith Gallery of Contemporary Art, Baltimore, Maryland. 1987
Painting Space 122 Gallery Invitational, New York. 1986
50/50, Monotypes and Prints of the Carraccio Collection, Montgomery College, Maryland. 1985
New Vistas: Contemporary American Landscapes, The Hudson River Museum, New York. 1984
The Tucson Museum of Art, Arizona. 1984
Painting Space 122, New York. 1983
National Drawing Show, The Holman Gallery at Trenton State College, New Jersey. 1979
Tanglewood Gallery, New York. 1978
Organization of Independent Artists, at Paul Weiss, Rifkin, Warton and Garrison, New York. 1977
Kornblee Gallery, New York. 1976
Dorsky Gallery, New York. 1975

PUBLISHED REVIEWS OF WORK
Kingston Daily Freeman, January 12. 2001
Relief Printmaking In The 1980’s,” Rutgers Archives. 1989
New York Times, February 5. 1984
Seventy Six Pages, Bruns & Jacks, New York. 1977
Stamps #2, R. Jacks, New York. 1977
Arts Magazine. 1976

PERMANENT PUBLIC COLLECTION
The Jane Vorhees Zimmerli Art Museum, Rutgers Archives.

SELECTED CORPORATE COLLECTIONS
Amoco
Arco
Chase Manhattan Bank
Citibank
Cleary, Gottlieb
Coppersmith Gordon
Equitable Tower
IBM
Milbank Tweed
Salomon Brothers
Shearson Lehman
Simpson Thacher
Smith Barney
Texas Commerce Bank
US Trust Company

EDUCATION
The Cooper Union. New York. BFA 1972
Master Intaglio Printmaking Workshop, Vinalhaven, Maine. 1985
“Hanga” Japanese Woodblock Workshop, Bill Paden, New York. 1991

STATEMENT
I derive my image from the landscape. I focus on composition and color to suggest and shape the mood. My artwork is not simply a straightforward drawing about observed nature. I am aiming for a certain beautiful structure of line, sensation and movement. I am reaching for the unabashedly romantic.
 
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